I see a lot of theatre. Seriously, a ridiculous amount. I average about 4 shows a week. (The incredible thing about this news means that you CAN see 4 shows a week in Ottawa!)
Like anything, these are not necessarily 4 good shows a week. In fact, most of the time, they’re not. I hate a lot of the stuff I see. OK, maybe hate is a bit too strong a word… I’m disappointed by a lot of the stuff I see. You might be thinking then why keep going? Well, every once in a while I see something absolutely spectacular and/or moving. It kind of feels like meeting your soul mate, briefly, at a party and then spending the rest of your life looking for them again. You just know they’re out there somewhere.
Anyway, all this to say I know what I think is good and I know what I think is shitty. Unfortunately, that (very loud) critic’s voice inside my head often likes to come out to play when I’m creating a show. This is bad! Very bad! Because that critic likes to forget where I currently am at in my development as an artist (and I’d like to rephrase a previous post from the negative sounding I Have Limits to the much nicer Where I Am in my Development as an Artist). You see, it likes to tell me how great a show like Tempting Providence was without mentioning little unimportant details like it’s been around for 7 years and played over 400 performances. Talk about putting too much pressure on yourself.
Last night we opened No Exit Upstage to a very full house and instead of feeling “Wow, I did it. I wrote a play, produced it, and presented it in front of a large audience. That is amazing! Way to go me!” I was thinking “Oh my God, I was shaking, I missed a blocking cue, wah wah wah! Nobody talk to me, I need a drink!”
And yet, when I stopped avoiding eye contact with everyone because “I suck so much”, all I received were incredibly positive and glowing recommendations, including this very touching one this morning on Facebook from this guy, who I think is kind of a big deal and should know what he is talking about:
“Pierre Brault was very impressed with Nancy Kenny’s show, “No Exit Upstage” at the Ottawa fringe. Smartly written. Well performed. Go see it. More fringing tonight!”
I should really take the advice in this article more to heart.
So thank you everyone who came out to see the show. I can’t believe 8 of you actually bought advanced tickets! I am grateful and truly blessed for your support and encouragement and I look forward to entertaining you throughout at least 5 more shows.
If you haven’t seen No Exit Upstage yet, well what are you waiting for?
No Exit Upstage
Directed by Ken Godmere
Staring Nancy Kenny & Natasha Jetté
The Ottawa Fringe Festival runs from June 18 to 28, 2009.
All No Exit Upstage performances take place in Venue #3 – Studio Leonard Beaulne
Thursday June 18 – 9:30 PM (2 for 1 performance)
Saturday June 20 – 11:00 PM
Sunday June 21 – 2:00 PM
Wednesday June 24 – 6:30 PM
Saturday June 27 – 8:00 PM
Sunday June 28 – 3:30 PM
Tickets are $10 and can be purchased at the door. You also need the $2 Fringe Pin to get in to all performances. Advanced tickets and discounted multi-show Fringe passes are also available.